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20130228
Search Results 0 to 5 of about 6 (some duplicates have been removed)
-winning humorist dave barry about miami, the "insane city" that's the focus of his new novel. >> the people come from everywhere, people just weird people are attracted to miami. the wildlife is weird, the weather is weird, it's a festering stew of weirdness. >> woodruff: that's all ahead on tonight's newshour. >> major funding for the pbs newshour has been provided by: bnsf railway. >> support also comes from carnegie corporation of new york, a foundation created to do what andrew carnegie called "real and permanent good." celebrating 100 years of philanthropy at carnegie.org. >> and with the ongoing support of these institutions and foundations. and friends of the newshour. and... >> this program was de ssible b the corporation for public broadcasting. and by contributions to your pbs station from viewers like you. thank you. >> brown: millions of people in the northeast and new england battened down for a weekend blizzard today. forecasters warned it could be one for the record books. by this afternoon, the gathering storm was beginning to whiten the landscape for hundreds of miles, with long
here in new york city and is a fellow at the roosevelt institute. susan crawford, welcome. >> thank you so much. >> "captive audience?" who's the captive? >> us, all of us. what's happened is that these enormous telecommunications companies, comcast and time warner on the wired side, verizon and at&t on the wireless side, have divided up markets, put themselves in the position where they're subject to no competition and no oversight from any regulatory authority. and they're charging us a lot for internet access and giving us second class access. this is a lot like the elecifation story from the beginng othe 20th ctury. initially electricity was viewed as a luxury. so when f.d.r. came in, 90% of farms didn't have electricity in america at the same time that kids in new york city were playing with electric toys. and f.d.r. understood how important it was for people all over america to have the dignity and self-respect and sort of cultural and social and economic connection of an electrical outlet in thr home. so he made sure to take on the special interests that were controlling electric
for the hour, next. captioning sponsored by rose communications from our studios in new york city, this is charlie rose. >> rose: the story of dk cheney is the story of power. he served two terms as vice president, president george w. bush from twub two 2008. he was also secretary of defense he was also chief of staff to president gerald ford. the "washington post" has called him the most influential and powerful man ever to hold the office. he was in washington an insider. his story is a story not only of power but because of what happened after 9/11 it's a story of power and values. we begin a conversation that took place in washington. mr. vice predent, thank you very mu for taking time to see us for this conversation. how's your health? >> much, much bet, thank you. i had lived with coronary artery disease since i was 37 years old 1978. had six heart attacks and nearly everything else that you could do yourself. i had an episode of ventricular fibrillation, my heart stopped. my life was saved by an implanted defibrillator. so i've been through a lot a as of last march i got a
, part of the city's celebrity series, at the beginning of just their second-ever visit to the u.s. backstage, musicians aged 15 to 36 warmed up and chatted in a variety of languages. >> no, no, no! >> brown: at rehearsal, barenboim was a tough taskmaster... >> you see how much more space you have for a crescendo? please don't play mechanically. >> brown: ...cajoling his young musicians. >> you're just playing comfortably without any idea of thought. ya-ba-ba-ba. what is that? >> brown: i watched the rehearsal, and you were pretty tough on them at various points. you kept saying, "you're playing too comfortably." what does that mean? >> it means that to make music, to express music, you cannot adopt the line of least resistance. you have to adopt the line of most resistance. music is not politically correct. music demands total concentration and the perfect, perfect matrimony between thought, feeling, and gut. >> brown: so how? >> and people who think it's easy should choose another profession. >> brown: uncompromising in his music, barenboim is also uncompromising in his politic
Search Results 0 to 5 of about 6 (some duplicates have been removed)